Max Streicher - Statement
Inflatables
have had an important place in my work since 1989. In most of these sculptures
and installations I have used industrial fans and simple valve mechanisms to
animate sewn forms with lifelike gestures. My use of light and papery materials,
like Tyvek (and more recently nylon spinnaker), has been significant to the
character of their development, specifically to my focus on movement. The
weightlessness of this material allows it to respond with surprising subtlety to
the action of air within it. I use air to animate my work because it provides an
effortless naturalism. It not only looks right, it feels right, recollecting our
sensation of breath. Inflatables
are the medium of enchantment, fantasy and optimism, but things do go wrong.
Take the Hindenburg, for example. Macy’s Parade balloon characters
occasionally crash into the crowd. In my work the distress behind the whimsy
takes different forms. Scale is one factor. My giants, for example, are intended
to overwhelm. In contrast to similar commercial counterparts, they are out of
control. They appear to struggle, but why and to what end? However that sense of
disruption is read also depends on what the individual viewer brings to the
work. For some, gasping for breath, endlessly straining to rise, portray an
image of playfulness, and even resurrection, while for others it is distinctly
an image of torture. Both cases however involve physical empathy, a bodily
recognition of the elemental—powerful and tenuous—forces that animate us
all. Max Streicher, 2003 Home Installations Kinetic Inflatables Photograms Statement CV Contacts
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contact: maxs (at) istar (dot) ca |